A young photographer has to make a decision, when she finds herself entangled in two relationships - one with a father and the other, his estranged son

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.

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When an ambiguously Intentioned masked man kidnaps a drug addicted punk singer, it triggers a police investigation as well as a media circus.

Vytas is a resident of a blocked houses quarter and he is just as dull as his neighborhood. Though the young guy is over his twenties, he still lives with his parents - spending their days watching TV. Vytas' girlfriend Ona is a bit different - she is independent, knows her likes and dislikes, has some friends - one of which she starts seeing more and more often. This leaves no sunshine in Vytas life at all and makes him wander for the truth in the maze of the blocked houses quarter.

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Film critic Robert Setlock gives an in-depth review of a movie while also making fun of it in any cheap way he can.

Cops, Robbers and Bunny Chow - Loosely based on a true story about one of the biggest robberies in South African history. Brothers Ronnie (Jack Devnarain) and Jugs (Rahul Brijnath), two police man from Chatsworth, hatch a plot to seize 31 million rand from a cash deposit facility. Its high stakes when the cops are assigned to investigate their own heist.

Sophie Bellizzi is a hard-working perfectionist who is obsessed with getting her company off the ground. She has a strained relationship with her younger sister Juliana, and an even more difficult one with her grandmother who is obsessed with seeing her only grandchildren married so as to protect the family's wealth. When Sophie breaks it off with her cheating boyfriend, she is abruptly faced with her grandmother's cunning plan to pass her substantial inheritance onto her sister, unless she marries before her 30th birthday, which is in three months time. Sophie has to act fast.

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